This quilt had humble beginnings in March 2014. I chose a palette of jewel colored fabrics and wondered aloud: why are so many quilts white and gray (as much as I like those colors)? What would a black background quilt look like? I can tell you now that it is quite linty, but nothing a good wash and a few runs of a lint roller can't handle. ;) Black and jewel colors = cave of wonders! It nearly sparkles in person.
Besides the black background, the only other request I had was to lay the blocks out in an alternate gridwork and create a true everything-but-the-kitchen-sink quilt.
I passed fabric and the starter along to my friends, and works on theirs in return. I received a finished top back in June 2014:
It took me the longest time to decide how to quilt it, which is why it hasn't been finished until now. On my recent scope where I talked about choosing quilting motifs, I mentioned that I don't rush decisions like this. As many of you might guess from my work, I like to "quilt things to life" and I take it very seriously!
First, I quilted a series of wavy lines with my free motion foot through the middle of the quilt. I used Better Off Thread's tutorial for Ultra-Wavy Quilting and tweaked it to my liking. Funnily enough, I intended to continue this motif throughout the whole quilt, but it became tedious pretty fast. There's another reason to start quilting in the middle of the quilt: to make sure you like it!
To break up the quilting monotony, I used a similar quilting style to create large, close together swirls amongst waves on the top and bottom of the quilt. I think it gives the quilt a lift and even more movement. I'm absolutely thrilled with the outcome and feel encouraged to trust myself with out of the box decisions in the future. When I go out of the box, I do my best work.
I used a dark gray thread (Aurifil 2605) because I wanted the quilting to show! It would have been a shame to hide all the hard work and darken the colored blocks with black. On a quilt that has this many colors and motifs, I wanted something that would enhance rather than detract. Originally, I bought a spool of Aurifil 4225 (Eggplant) to use, but the purple would have been TOO much color. So I used my favorite purple fabric (Lizzy House's Pearl Bracelets in Grape Jelly) for the binding instead. :)
Renee included these Echino bird blocks, amongst others. Ah! So perfect!
Even back in March 2014, I knew what I wanted for the backing! My lovely friend Sandi sent me some Britten Nummer from IKEA (since I don't have one close by). And before you go and look for it at your own store, please know that they don't print it any longer. :( You might be able to find some in the clearance section, but lots of quilters on Instagram have scoured their local IKEAs for this lovely, modern text fabric!
I combined the white fabric with jewel-toned scraps from my Anna Maria Horner scrap basket (yes, I have a special basket, don't judge).
Here are our signature blocks:
This swap didn't come without stress. I wanted to do my best work, so it always took lots of time to complete each person's section. It really was a pleasure to work so hard on something and see the quilts morph over time, though.
Also, we originally started out with five members, but one flaked on us completely and even still has two partially complete quilt tops and fabric that isn't hers. Something positive did come out of that experience after all; it inspired Renee and I to collaborate on a blog post, Top 10 (but really 18) Tips: Being a Good Swap Partner/Beemate.
I thought it would be fun to see all of the quilts from 2014 together. We all worked on each one and put forth our best sewing efforts. I love these gals and I'm so grateful to have wonderful quilty friends like them! <3
Renee @quiltsnfeathers (click to see blog post)
Ashley @ wasntquiltinaday
From left: Me, Ashley, Michelle (from this year's swap), Renee, and Laura met for dinner at QuiltCon - the first time we all met each other!
Linking up to: Fabric Tuesday, TGIFF, Crazy Mom Quilts