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Wednesday, December 7, 2016

Sew Mama Sew Giveaway Day

Welcome to Quilty Habit! I love to improv piece and quilt on my domestic machine. I blog 2-3 times a week, teach and lecture about quilting, and write a free quilting newsletter. How do you do? :)


Today I'm excited to offer a 1 yard bundle of fabric (1/2 yard each) as part of Sew Mama Sew Giveaway Day - the Viewfinders from Playful by Melody Miller and an OOP (out of print) fabric from Loulouthi by Anna Maria Horner.

Some of you might be wondering how I could give that latter one away, as I am a huge AMH fabric fanatic. Simple - it's a gorgeous piece of fabric, given to me by a friend, but I haven't found just the right use for it yet. I think it would be better in the hands of someone else. Somehow, these two prints just seem to go together! I hope you can find a beautiful use for them both.

Leave 1 comment*, answering this question: 
  • What is inspiring you to create right now? (It could be a thing, person, place, event, quilt, etc.) Links are appreciated but not required. If nothing is inspiring you this week, what has inspired you to create in the past?

You do NOT need to be a follower to enter, but you can if it strikes your fancy. I really try to share as much as I can in the hopes that I can spread around the quilty love as much as I have received! Right now, I'm in the middle of a modern wholecloth quilt (here's this week's post about quilting words in different sizes), and I share educational content (Top Ten Tips), progress posts, free patterns, quilt-a-longs, and detailed finish posts.


I also write The Wonky Press, a FREE bimonthly newsletter that contains relevant quilting links, project inspiration, community sharing, and highlights from my blog/a close up look at my personal life. Join our community and try it out!



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Have fun jumping around through the giveaways, and Merry Christmas, Happy Hanukkah, and Happy New Year!

http://www.sewmamasew.com/2016/12/giveaway-day-sewing-craft-supplies-fabric-patterns-etc-4/

*Details: This bundle ships anywhere in the world. The giveaway will end on Sunday, 12/11/16 at 7 pm EST, when I will email the winner and close comments on this post. You MUST leave an email address or have one attached to your account to win - otherwise, I can't contact you. I often have to pick a second or third winner because I can't locate an email address. Best of luck!


Monday, December 5, 2016

Week 4: Wholecloth Quilt Challenge

 The "Today I Feel" Quilt is my ongoing large wholecloth quilt project. I'm writing one post every week about the past week's phrases, which answer the prompt, "Today, I feel...." You can read more about the project on Week 1's post and my daily expansions on each phrase on Instagram under the hashtag #todayifeelquilt. The threads are generously sponsored by Aurifil Threads.
 
This week's words were slightly challenging, mainly because I didn't have my sewing machine for 2.5 days. Luckily, she's all better now and ready to take on all the quilts of 2017!


For those days, I wrote my phrase in a notebook and, as always, wrote in more detail on Instagram. I fear that my machine being out caused more of a disturbance to me than intended (everything seemed to go completely wacky for a couple of days), but I'm happy to say things are back to normal. 


Last week, I talked about using contrasting colors for each phrase and shared some tips on using heavier thread weights (thank you for all of your positive feedback!). This week, I have a few thoughts about size, or scale, of words.


When you are designing a wholecloth quilt, scale is a delicate subject. Since you will ONLY be quilting this quilt (no piecing involved), you must create interest. One of the easiest ways to do this is scale. I'm not tracing any of the words, so it allows me to be especially organic as I quilt. I've done very little ripping of stitches so far because I aim to leave things as they happen.
My usual approach for changing word size is to take it day by day. I look at the word I wrote the day before and decide if I want to go bigger or smaller. Many phrases tend to be medium sized, but my goal is to be able to spot the larger ones from afar and read the really small ones as you come within a foot or two. It will be really exciting to see this one hanging in my individual exhibition in March.


There have been a few times where I chose word size based on how I was feeling. The morning after election day, all I felt was dread and despondence, and I had little to no energy to devote to the quilt. So, I quilted very small. A few days later, I was furious with the world (specifically the patriarchy), and I quilted in large, all-caps letters. That in particular was very therapeutic. 


Next week I'll talk about the logistics of managing this larger-than-I-thought quilt, as well as my thread burying strategy. I'll be back on Wednesday for Sew Mama Sew Giveaway Day and Friday-ish for a finish! Yay! Have a great week!

Wednesday, November 30, 2016

5 Tips for Working with 40 and 28 Weight Aurifil Thread

Whenever my husband and I visit a restaurant for the second or third time, we almost always regret ordering something different. We'll take a few bites and sigh: "Wish I had just gotten that chicken sandwich. That was SO good." I guess I'm a creature of habit.

28 weight - 2600, 2024; 40 weight - 3840, 2810, 2600, 2220, 2024, 2535, 5006, 3770
I'm used to using 50 weight Aurifil thread for all of my piecing and quilting on my domestic machine (and my machine loves it); why break something that isn't broken, right? I had heard that 40 weight, a bit of a thicker thread, really gives the quilting good definition, but 28 weight seemed unimaginably thick to me as machine quilter. But really... I was wrong!

When I decided to start my large wholecloth quilt project, I took a chance to try these different,  new-to-me thread weights. Since a wholecloth quilt is made up only of quilting, the heavier weights might really provide contrast (yes, the lower the number, the thicker the thread). I asked Aurifil if they would be willing to let me try out some 40 weight (green colored spool) and 28 weight (gray colored spool) threads, and they were gracious enough to send several spools in specific colors. Thank you, Aurifil!


You can see above how much thicker the 28 weight thread is. Aurifil states on their website that it's best used for machine quilting, embroidery, applique, plus hand applique and hand quilting (it gives great texture). So, I decided to put it to the test...


I tested out the gray thread (2600, my favorite shade ever) on a scrap quilt sandwich. Since I knew I'd be writing words on my wholecloth, I wanted to experiment with writing right away. You can see that the 28 weight thread is still noticeably thicker than 40 weight, but below, further away, it only makes a slight difference. Still, though, both threads are thicker than 50 weight.

 I wrote a little message for you. 😉



5 Tips for Working with Heavier Weight Threads

1. Take the time to figure out the right tension on your machine. You may have to adjust your tension dial to accommodate (I did). It can be a frustrating and lengthy process, but it's worth it. Once you've figured out the right settings for different kinds of thread, I suggest writing down your numbers on a handy post-it to keep near your machine. Also, I use a universal needle 80/12 for almost everything, but you may want to try the needles Aurifil suggests (28 weight: Top Stitch 90/14; 40 weight: Sharp/Microtex quilting or denim 80/12).

2. Use a practice quilt sandwich for all tension testing and practicing. It doesn't have to be large (fat quarter size - 18x22 works well for me, or sometimes smaller).

3. Use a thinner thread in the bobbin that's a similar color. I only use 50 weight bobbins - that's the thread I have the most of and I know it works well (plus, Aurifil recommends it on their website!). I haven't tested thicker weight threads in the bobbin but if anyone has, I'd love to hear about your experience. Also, I know that the quilt police like it when you use the same color thread in the top and bobbin... but I hardly ever do. As long as your tension is right, you shouldn't really see the threads!

4. QUILT SLOWLY. Thicker weight threads, especially 28, have more of a chance of breaking/splitting. This didn't happen to me often and I'm thrilled with the quality of the thread, but it's simply MORE thread.

5. Practice tracing over thread to gain even more definition. See below...


 

This is a small project I started (with more words). On the bottom row, I decided to trace over the stitches to make them stand out even more. I want the words to really show in comparison to the rest of the piece. Overall, I'm very please with how the 28 and 40 weight threads stand out on their own, but you can really add to the effect by tracing.

Background thread - 50 weight; words - 40 weight, traced over 2 or 3 times.

50 weight is my favorite for piecing, but 40 weight is definitely my favorite for machine quilting now. I love to make my quilting SHOW (after all, I put so much work into it!).


So, have you tried changing thread weights? If not, take the chance and dive into the unknown. You might be surprised at the subtle contrast and change in the look of your work!

For further reading, please check out Yvonne (@quiltingjetgirl)'s tutorial for using 12 weight Aurifil on her longarm.

Monday, November 28, 2016

Week 3: Wholecloth Quilt Challenge

 The "Today I Feel" Quilt is my ongoing large wholecloth quilt project. I'm writing one post every week about the past week's phrases, which answer the prompt, "Today, I feel...." You can read more about the project on Week 1's post and my daily expansions on each phrase on Instagram under the hashtag #todayifeelquilt. The threads are generously sponsored by Aurifil Threads.

The quilt is half done now, after writing 1 encapsulating phrase each day for three weeks (has it really been three weeks since I started and since the election?)! It helps that I've been filling in the surrounding negative space every weekend. The project will take me right past my birthday on December 17 - which was completely unintentional, but I'm glad of it!


Week 3 was Thanksgiving week - my favorite holiday. I had a 4 day weekend and spent lots of time with family, friends, and food. It was probably my most "relaxed" week yet.

Today I'll explain how to use thread color to create contrast. As I mentioned in Week 2's post, this quilt is very much a day-to-day experiment. Since I quilt a different phrase each day, I naturally want to change thread colors. Ideally, I'd like each phrase to read on it own. So far, I'm happy with the overall look!

 I love to add details like that little star over the "i." It makes the words even more special.

When I started out, I wanted the color palette to stand out well against purple but also complement it. I've thought of popping in lime green thread a couple of times but it doesn't seem to play well with the other colors. Also, most purples are a no-go because they blend too easily.


When choosing a color to quilt in, I think about what the phrase means to me. Is it a happy, sad, or angry phrase? Whenever I get stuck on a color, I choose light gray (2600) or white (2024). Never underestimate the power of neutrals! Sometimes I simply choose a color because I haven't used it in a while; I look at the words nearby and determine which would highlight it best.

Later this week, I'll post about specifically using different weights of thread to create contrast in a quilt! In next week's wholecloth post, I'll discuss variation in word size. So much to explore on a seemingly simple project!

Tuesday, November 22, 2016

Fall Table Topper: By Hand and Machine

This summer, I slipped into unprecedented territory: handwork. I LOVE machine quilting and will never tire of its wonders, but there's just... something about handwork (hand quilting, stitching, embroidery, cross stitch, knitting, etc.). I've developed a penchant for small, portable projects, and this, my second sashiko project, was made just for the sake of making. It was meditative. It was needed.


If you follow me on Instagram, you'll know I have slight problems using brown fabric (yes, and now you're laughing - I even bound it in brown! What?!). Well, when I saw this maple leaf pattern at Easy Piecing's booth at Pennsylvania National Quilt Extravaganza, I saw its potential with orange sashiko thread. In the midst of easily stitching along the pre-printed blue lines, I decided to add random pops of yellow thread in at the end. I used what I had on hand - some DMC floss. This was the perfect seasonal project to stitch in the early part of fall while I settled into the season.


Once the hand stitching was done, the piece just didn't feel large enough to hold its own (I can't help but "go big or go home" for sewing projects). So, I pulled out my autumnal solid fabrics and Oakshott shot cottons to create a color cascade in the border.


 I decided to quilt the whole thing up with simple spirals that slightly contrasted each solid color. The marriage of shiny shot cottons and Aurifil threads is so pretty to see in person! I used 50 weight threads 2850 (sage green), 2870 (green), 2140 (gold), 1135 (yellow), 2250 (red), 2460 (burgundy), 2240 (orange), and 1133 (light orange).


The middle, though, just didn't seem complete without more stitching, so I quilted some purposefully imperfect brown spirals (in Aurifil 4012) around the maple leaves, using my free motion foot. It feels like the perfect texture for the piece and for fall - in fact, this is my favorite part of the piece. It provides such definition to the sashiko stitching in the middle.


Oh, hi there! Here's a sewing selfie. Guess I was feeling cheeky that day.

 I backed this in a favorite, autumnal Anna Maria Horner print from Dowry ("Postage Due").


I always think: "well, maybe that will be too much quilting. Maybe I should just let it be." I should never think that, because I'm NEVER disappointed with *more* quilting! Everyone has a different style and I'm a quilting maximalist. With this project, I realized that a marriage between "big stitch" hand quilting or embroidery with thick thread, combined with thin machine quilting, is something I want to explore even more. So, stay tuned (hint - see below). And a very Happy Thanksgiving to all my fellow Americans!


 

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